Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Portrait of Debra Berger

Debra Berger

Birth Name: Debra Berger

Birth Date: 1957-03-17

Birth Place: N/A

Details

Alternate Names: Debby Berger, Debby Berger, Deborah Berger, Deborah Berger

Physical Characteristics: N/A

Career

First Appearances:

  • The Marvelous Visit (1974) as Déliah

Most Important Roles:

  • Rosebud (1975) as Gertrude
  • Parapsycho: Spectrum of Fear (1975) as Debbie
  • The Inglorious Bastards (1978) as Nicole
  • The Marvelous Visit (1974) as Déliah
  • Born for Hell (1976) as Bridget
  • Lightning, the White Stallion (1986) as Lili Castle
  • Nana (1983) as Satin
  • B.O.R.N. (1989) as Dr. O'Neil
  • Emanuelle in Bangkok (1976) as Debra
  • Invaders from Mars (1986) as Corporal Walker

Career Highlights:

  • Rosebud (1975)
  • Parapsycho: Spectrum of Fear (1975)
  • The Inglorious Bastards (1978)
  • The Marvelous Visit (1974)
  • Born for Hell (1976)
  • Lightning, the White Stallion (1986)
  • Nana (1983)
  • B.O.R.N. (1989)
  • Emanuelle in Bangkok (1976)
  • Invaders from Mars (1986)

Full Biography

"Debra Berger, born March 17, 1957, is an American actress who first graced the screen in television classics like 'Hawaii Five-O' (1973). Her acting career spanned various roles across films such as 'The Marvelous Visit' (1974), 'Terminal' (1974), and 'Rosebud' (1975), before transitioning to more explicit fare like 'Naked Massacre' (1976), where she portrayed a Vietnam vet terrorizing nurses. Berger's performance in 'Emanuelle in Bangkok' (1976) showcased her boldness, featuring intimate scenes with Laura Gemser and exposing her physique. In 'Nana' (1982), she engaged in a nude, lesbian encounter onscreen. Other notable credits include 'Una devastante voglia di vincere' (1977), 'The Inglorious Bastards' (1978), 'Dangerously Close' (1986), and 'Night Nurse Massacre' (2012), her final onscreen appearance. Debra Berger's whereabouts after 2012 remain uncertain, but one thing is clear: she left an indelible mark on cinema."

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Nana (1983) (1 clips)
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