Schauspielerin: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Portrait of Carla Brait

Carla Brait

Geburtsname: Carla Brait

Geburtsdatum: 1950-09-01

Geburtsort: Innsbruck, Tyrol, Austria

Karriere

Erste Auftritte:

  • Dead for a Dollar (1968) als Betty

Wichtigste Rollen:

  • Blindman (1971) als Black maid
  • Dead for a Dollar (1968) als Betty
  • The Case of the Bloody Iris (1972) als Mizar Harrington
  • Valerie Inside Outside (1972) als Dancer
  • Ma che musica maestro (1971) als ballerina
  • Torso (1973) als Ursula
  • Black Maid (1976) als Aminta / Anita
  • The Dead Are Alive (1972) als Danzatrice (uncredited)
  • Loaded Guns (1975) als Carmen
  • Aretino's Stories of the Three Lustful Daughters (1972) als Olimpia

Karriere-Highlights:

  • Blindman (1971)
  • Dead for a Dollar (1968)
  • The Case of the Bloody Iris (1972)
  • Valerie Inside Outside (1972)
  • Ma che musica maestro (1971)
  • Torso (1973)
  • Black Maid (1976)
  • The Dead Are Alive (1972)
  • Loaded Guns (1975)
  • Aretino's Stories of the Three Lustful Daughters (1972)

Vollständige Biografie

"Carla's cinematic journey commenced in 1972 with a minor role as one of the slain models in the Italian thriller 'Case of the Bloody Iris'. Regrettably, after a decade and seven 'giallo' thrillers from Italy, Carla's career paused in 1982 until her reappearance in '1990: The Bronx Warriors'. Luckily, this hiatus didn't occur before Carla showcased some skinage in several Italian exploitation films. Naturally, one must endure a significant amount of ultra-violence that categorizes movies like 'Loaded Guns' and 'Torso' as 'giallo', but it's often justified by the ticket price. While Carla often bare at least a trace of skin in her films, her most memorable revelations remain from her debut performance in 'Case of the Bloody Iris'. Although she meets her demise shortly after her nude scene, the charm of that early-1970s movie magic is undeniable and prevents any stiffening of enthusiasm for the scene."

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