Szene aus La bonne (1986)
Szenendetails
| Dauer: 1110 Sek.. | Nacktheit: yes | Ersteller: zorg |
| Neue Dateigröße: Loading... | Ton: yes | Alte Dateigröße: 1,090 mb |
| Dateiformat: AOMedia Video 1 (WebM/AV1) | Auflösung: 1800x1080 | Hinzugefügt: 2026-04-17 |
Vollständige Vorschau anzeigen
Darstellerinnen in dieser Szene
Details
Alternative Namen: Florence Nicolas, フローレンス・ゲラン, فلورانس گرین
Körperliche Merkmale: N/A
Karriere
Erste Auftritte:
Wichtigste Rollen:
Karriere-Highlights:
Vollständige Biografie
Florence Guérin was born on June 12, 1965, in Nice, Alpes-Maritimes, France. Her birth name is Florence Guérin, though she later adopted the name Florence Nicolas following a life-altering event in the late 1990s.
After winning the "Miss Cinema" title at the Cannes Film Festival in 1980, she pursued an acting career that spanned the 1980s and early 1990s. She became a well-known figure in European cinema, particularly for her roles in erotic dramas and thrillers. Some of her most prominent works include her lead performance as Anna in La Bonne (The Maid, 1986), as well as roles in Le Déclic (The Click, 1985), Bizarre (1987), and the horror film The Black Cat (1989).
In 1998, Guérin was involved in a severe car accident that resulted in the tragic loss of her five-year-old son, Nicolas. Following this tragedy and a period of recovery, she chose to return to the public eye and continue her work under the professional name Florence Nicolas as a tribute to him. In addition to acting, she has also been involved in set decoration and published an autobiographical book titled Pas grave, maman in 2009.
Details
Alternative Namen: トリーネ・ミケルセン, 特丽·米科尔森
Körperliche Merkmale: N/A
Karriere
Erste Auftritte:
Wichtigste Rollen:
Karriere-Highlights:
Vollständige Biografie
Trine Michelsen, born Katrine Michelsen on January 21, 1966, in Gentofte, Denmark, was a prominent Danish actress and model. The daughter of the well-known journalist and film critic Ole Michelsen, she first gained public attention as Miss Denmark in 1984.
Her international acting career was notably defined by her work in Italian cinema during the late 1980s. She rose to fame for her role as the erotically charged maid in the successful 1986 film La Bonne (The Corruption), followed by appearances in cult horror and thriller titles such as Tentazione, Spettri, and Le foto di Gioia. After a period focused on her modeling career, she made a significant return to acting in her home country, most notably appearing in Lars von Trier’s critically acclaimed Dogme 95 film The Idiots (1998).
Trine Michelsen passed away on January 17, 2009, in Copenhagen, after a long battle with bone cancer.
Über den Film: La bonne (1986)
Alternativer Titel: Rouva ja palvelustyttö, I ypiretria, Pecados de Uma Mulher Casada, Karmasik hisler, The Corruption
Regisseur: Salvatore Samperi
Drehbuchautor: Alessandro Capone, Luca D'Alisera, Riccardo Ghione, Salvatore Samperi
Produktion & Genre
Produzent(en): Producer: Raffaello Saragò, Achille Manzotti
Firmen: Faso Film
Genre: Comedy Film, Drama, Lgbt-Related Film, Romance
Auszeichnungen & Ähnliche
Auszeichnungen: N/A
Ähnliche:
Schlagwörter
Schlagwörter: infidelity, maid, lust, desire, erotic movie
Geschichte
In Vicenza, Italy in 1956, Anna, a lawyer's wife, feels neglected by her husband Giacomo due to his focus on caring for his sick mother. Anna longs for a child but discovers she is infertile. She is shy and introverted until their maid, Angela, encourages her to express herself more freely. Angela persuades Anna to participate in erotic games which help Anna overcome her inhibitions. Over time, Anna's relationship with Angela evolves into a sexual one, allowing Anna to explore her desires and find liberation from her emotional repression.
Zusammenfassung
La bonne (The Maid) is a 1986 Italian film directed by Salvatore Samperi, blending comedy, drama, and LGBT-related themes. Set in post-WWII Italy, the movie explores themes of repression, liberation, and female sexuality through the protagonist Anna, who grapples with infertility, abandonment, and societal expectations. The narrative follows Anna's transformation from a shy, inhibited woman to one who embraces her desires, largely due to the influence of Angela, their maid.