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Scene from Widows - Erst die Ehe, dann das Vergnügen (1998)
Scene Details
| Duration: 57 sec. | Nudity: yes | Creator: Jotell |
| New Filesize: N/A | Sound: yes | Old Filesize: 8 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 480x268 | Added: 2005-May-01 |
Actresses in this Scene
Ornella Muti
Details
Alternate Names: Francesca Romana Rivelli, Орнелла Мути, اورنلا موتی
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Ornella Muti, born Francesca Romana Rivelli on March 9, 1955 in Rome to Neapolitan father and Estonian mother, is an Italian actress known for her roles in Italian films like 'La moglie più bella' (1970) and international productions such as 'Flash Gordon' (1980). She has been married twice, firstly to actor Alessio Orano from 1975-1981, and secondly to Federico Facchinetti from 1988-1996. Muti has three children: Naike Rivelli, Andrea, and Carolina Facchinetti. Since 1998, she has been living with Stefano Piccolo, a plastic surgeon.
About the Movie: Widows - Erst die Ehe, dann das Vergnügen (1998)
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Comedy, Comedy Film
Story
Molly, Elisabeth, and Maria, three friends who are dissatisfied with their marriages, decide to fake their husbands' deaths in order to escape their unhappy relationships and gain financial independence. Molly, a devoted housewife, wants freedom from her abusive and unfaithful husband Erich; Elisabeth, a successful lawyer, longs for romance with the younger musician Vince instead of her much older husband Charles; Maria, who married Konrad for his money, seeks respect and recognition but fears losing her fortune in a divorce. They initially find it challenging to execute their plans, but they proceed nonetheless, believing widowhood is their best chance at happiness.
Summary
Widows - Erst die Ehe, dann das Vergnügen is a German comedy film directed by Sherry Hormann and released in 1998. The story follows the lives of three unhappily married women who decide to fake their husbands' deaths as a means to escape their marriages and achieve financial independence. Molly, Elisabeth, and Maria each have their reasons for wanting out of their respective marriages, but they all share the belief that 'divorce is disgusting.' Instead, they choose widowhood as their path to freedom, leading them down a series of comedic misadventures as they attempt to execute their devilish plans.