Szene aus Erotica 2022 (2020)
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Darstellerinnen in dieser Szene
Geburtsname: Agata Bronisława Buzek
Geburtsdatum: 1976-09-20
Geburtsort: Pyskowice, Gliwice County, Poland
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Alternative Namen: Agata Bronisława Buzek
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Agata Bronisława Buzek is a Polish actress and model. Agata, the daughter of Polish politician, former Prime Minister of Poland and President of the European Parliament Jerzy Buzek, was born in Pyskowice in Gliwice County, Poland. At an early age she had poliomyelitis and was treated in Germany.
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Agnieszka Zulewska was born on June 26, 1987 in Ozimek, Opolskie, Poland. She is an actress, known for Chemo (2015) , Demon (2015) and The Mire (2018) .
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Born in Poznan, Poland, Dagmara shares her birthplace with Tommy Wiseau of 'The Room'. After spending a year studying music and acting at London's Performer College, she returned to Poland to further her training at the Warszawska Szkoła Filmowa. Her inaugural acting role was for Iza Kowalewska's "Tango DNA" music video upon graduating in 2013. In 2014, Dagmara appeared in two feature films, 'Because of Writing' and 'Swiadek', marking the beginning of her extensive filmography that includes 'Erotica 2022' (2020), 'The Contract' (2021), and 'The Day I Found a Girl in the Trash' (2021). Her television credits are equally impressive, with recurring roles in 'Diversion End' (2016), 'Szparadox' (2018), 'The Crown of Kings' (2018-2019), and 'Sluga narodu' (2023).
However, Dagmara's career reached a significant milestone with her role as Rene in the 2023 drama 'Imago'. In this film, she dared to bare all for the first time, lounging topless in a tub alongside other nude actors, including lead actress Lena Góra. The scene also featured a sapphic kiss between Dagmara and Lena Góra, which sparked intense fan enthusiasm and speculation about potential future collaborations between the two actresses.
Geburtsname: Dominika Stróżewska
Geburtsdatum: N/A
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Alternative Namen: Dominika Strozewska
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"Kinga Jasik's rise to prominence might owe something to her homeland, Poland, but her true impact goes beyond geographical ties or culinary traditions. Despite her royal-sounding name, Jasik's initial roles were less than regal: 'Friend of Joanna' in 'M jak milosc' (2016), 'Prostitute' in 'Dziewczyny ze Lwowa' (2019), and simply 'Girl' in 'Jak zostalem gangsterem. Historia prawdziwa' (2020). However, 2019 television shows like 'O mnie sie nie martw', 'Na sygnale', and 'Slad' afforded her named characters: Julita, Zuza, and Ewelina respectively.
Following her portrayal of Lena Kot in 'Ojciec Mateusz' (2020), Jasik secured the role of Helena, the maidservant's daughter, in the costume drama 'The Crown of the Kings' (2020) and "Wiktoria" in 'The Convict'. This catapulted her career in Poland. Her breakthrough came with the Netflix miniseries 'The Woods', based on Harlan Coben's novel. In it, Jasik plays Monika Sowik, who engages in nocturnal skinny-dipping. While the scene is dimly lit, viewers can still discern the shape and size of Jasik's unclothed form, including her breasts and pubic area. The series may be filled with trees, but it seems lacking in bushes compared to Jasik's bold on-screen nudity. As such, she has undeniably become a queen of skin on the small screen."
Geburtsname: Małgorzata Bela
Geburtsdatum: 1977-06-06
Geburtsort: Kraków, Lesser Poland Voivodeship, Poland
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Alternative Namen: Małgosia Bela, Malgosia Bela
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Malgorzata Bela, best known for her role in 'Ono (2004)', was a 22-year-old pregnant woman navigating life's challenges with resilience. Despite having a dreary job and a difficult home life, she found joy and purpose as she embraced her pregnancy, learning to love her life and share that love with the child growing inside her.
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Alternative Namen: Monika Pikula
Körperliche Merkmale: N/A
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Alternative Namen: Sara Celler, Sara Cellar Jezierska
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In Lódz, Poland, towards the tail end of the Cold War era, Sara Celler-Jezierska emerged onto the Polish film and television landscape at an early age. Her ascent has been consistently upward since her debut in her mid-twenties. At 24 years old, she made her first screen appearance with a one-time role on the TV series "Pierwsza Milosc," subsequently landing the part of Pawel's secretary across three episodes of "Przyjaciólki" in 2012. This seemed to hint at an emerging trend in her career as she next played a receptionist on "Gleboka Woda," followed by her feature film debut as an assistant in "Ambassada" (2013). However, Sara proved adept at avoiding typecasting.
By 2017, she began securing more significant roles, including a supporting part in the TV series "O Mnie sie nie Martw," and a critically applauded portrayal of Gertrud Schwartz in the film "Dark, Almost Night" (2019). In 2020, Sara's exposure grew further with her role as one of the inmates on the women-in-prison series "Maly Zgon," despite lacking any explicit lesbian scenes. In 2021, she offered viewers a glimpse beneath her character's clothing with a supporting role in the Netflix Original Series "Open Your Eyes." In the debut episode, her character suffers a mental breakdown and attempts to flee into the woods, revealing her underwear in the process. Here's hoping she makes it all the way to our screens!
Über den Film: Erotica 2022 (2020)
Alternativer Titel: N/A
Regisseur: Anna Jadowska, Anna Kazejak, Jagoda Szelc, Kasia Adamik, Olga Chajdas
Drehbuchautor: Anna Kazejak, Gaja Grzegorzewska, Grażyna Plebanek, Ilona Witkowska, Jagoda Szelc, Joanna Bator, Kasia Adamik, Olga Tokarczuk
Produktion & Genre
Produzent(en): Producer: Marta Lewandowska
Executive Producer: Anna Jadowska, Anna Kazejak, Jagoda Szelc, Kasia Adamik, Olga Chajdas
Firmen: Friends With Benefits Studio
Genre: Drama
Auszeichnungen & Ähnliche
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Geschichte
Erotica 2022 is an anthology film comprised of four stories, each focusing on a different woman and her experiences with erotic elements. However, specific plot details for each story are not provided in the given sources.
Zusammenfassung
Erotica 2022 is a Polish dramatic anthology film directed by Anna Jadowska, Anna Kazejak, Jagoda Szelc, Kasia Adamik, and Olga Chajdas, released in 2020. The movie explores women's issues through four loosely connected stories, each containing an erotic element. Despite the limited plot details provided, it can be inferred that the film aims to shed light on various aspects of women's experiences with a focus on intimate relationships.