Szene aus Storia di una monaca di clausura (1973)

Alternative Namen: Элеонора Джорджи

Körperliche Merkmale: N/A

Erste Auftritte:

• The Black Belly of the Tarantula (1971) als Maid in beauty parlor

Wichtigste Rollen:

• A Spiral of Mist (1977) als Lidia
• Born Winner (1976) als Marzia
• Taste of the Sea 2: One Year Later (1983) als Tea
• Talcum Powder (1982) als Nadia Vandelli
• Velvet Hands (1979) als Tilli
• Grand Hotel Excelsior (1982) als Ilde Vivaldi
• Inferno (1980) als Sara
• The Big Fox (1988) als Francesca Corvino
• Appassionata (1974) als Nicola
• Magic Touch (1983) als Franca Ferrini

Karriere-Highlights:

• A Spiral of Mist (1977)
• Born Winner (1976)
• Taste of the Sea 2: One Year Later (1983)
• Talcum Powder (1982)
• Velvet Hands (1979)
• Grand Hotel Excelsior (1982)
• Inferno (1980)
• The Big Fox (1988)
• Appassionata (1974)
• Magic Touch (1983)

Auszeichnungen:

• Won David - Best Actress (Migliore Attrice Protagonista) (1982)
• Won François Truffaut Award (1996)
• Nominated for 1 Silver Ribbon - Best New Director (Migliore Regista Esordiente) (2004)
• Won Silver Ribbon - Best Actress (Migliore Attrice Protagonista) (1982)
• Won Best Actress (1982)
• Won Golden Orange (1974)
• Won Golden Goblet - Best Actress (Migliore Attrice) (1982)

Eleonora Giorgi (born 21 October 1953) is an Italian actress. Giorgi was born in Rome, Italy. Her father was of Italian and English origin. Her mother was of Italian and Hungarian origin.

She made her film debut in a minor role in Paolo Cavara's horror film Black Belly of the Tarantula (1970) and subsequently appeared in nearly fifty films, mostly in prominent roles. Domenico Paolella's Story of a Cloistered Nun (1973), an important nunsploitation, marked her film debut, at age eighteen. She then took part in Il bacio (The kiss), a fantasy drama directed by Mario Lanfranchi, and in erotic comedies such as Salvatore Samperi's La sbandata (1974), in which she plays near Domenico Modugno and Luciana Paluzzi, Luciano Salce's Alla mia cara mamma nel giorno del suo compleanno (1974), Pasquale Festa Campanile's The Sex Machine (U.S. title: Love and Energy) (1975) and Gianluigi Calderone's Appassionata, that definitively gaine her the public acclaim.

Roles in movies like Franco Brusati's To Forget Venice (1979), Dario Argento's Inferno (1980), Nino Manfredi's Nudo di donna (1981), and Liliana Cavani's Beyond Obsession (1982) are some of her most known and remarkable dramatic performances but in the beginning of the eighties, Giorgi decides to rejoin comedy. She's near Adriano Celentano in Mani di velluto and Grand hotel excelsior; for her performance in Carlo Verdone's Borotalco (1982), she won the Nastro d'Argento award and David di Donatello award for Best Actress.

In 2003, Giorgi wrote and directed her first film Uomini & donne, amori & bugie (U.S. title: Love, Lies, Kids... & Dogs), with Ornella Muti.

Erste Auftritte:

• Robin Hood, l'invincibile arciere (1970) als

Wichtigste Rollen:

• The Doctor Prefers Sailors (1981) als Paola
• Images in a Convent (1979) als Isabella
• Eaten Alive! (1980) als Diana Morris
• Story of a Cloistered Nun (1973) als
• Women in Cell Block 7 (1973) als Musumeci
• Zig Zig (1975) als Madame Bruyère
• Like Rabid Dogs (1976) als Germana
• Malombra (1984) als Carlotta
• Where Can You Go Without the Little Vice? (1979) als Simona Beltramelli
• Nonstop in the Dark Room (1985) als

Karriere-Highlights:

• The Doctor Prefers Sailors (1981)
• Images in a Convent (1979)
• Eaten Alive! (1980)
• Story of a Cloistered Nun (1973)
• Women in Cell Block 7 (1973)
• Zig Zig (1975)
• Like Rabid Dogs (1976)
• Malombra (1984)
• Where Can You Go Without the Little Vice? (1979)
• Nonstop in the Dark Room (1985)

Paola Senatore (born 9 November 1949) is an Italian retired film actress.

Born in Rome, Paola Senatore worked in Italian genre films during the 1970s, including poliziotteschi, commedia sexy all'italiana and giallo films. These included cult films such as Ricco the Mean Machine (1973), The Flower with the Petals of Steel (1973), The Killer Reserved Nine Seats (1974), Salon Kitty (1976), Emanuelle in America (1977), and Umberto Lenzi's cannibal film Eaten Alive! (1980). In the mid-1980s, after two soft-core erotic films directed by Joe D'Amato and because of drug problems and pregnancy, she accepted starring in pornographic magazines and in a hard-core film, Non stop... sempre buio in sala.

Her film career ended in September 1985 when she was arrested for possession and trafficking of drugs.