Szene aus Au fond des bois (2010)
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Darstellerinnen in dieser Szene
Details
Alternative Namen: イジルド・ル・ベスコ
Körperliche Merkmale:
Karriere
Erste Auftritte:
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Auszeichnungen
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Vollständige Biografie
Isild Le Besco (born 22 November 1982) is a French actress and filmmaker. She has starred in many films, including Sade (2000), a French film starring Daniel Auteuil, and in The Good Heart, directed by Dagur Kari. She is the sister of actress and film director Maiwenn, and the daughter of actress Catherine Belkhodja.
Über den Film: Au fond des bois (2010)
Alternativer Titel: Deep in the Woods - Verschleppt und geschändet, Tief in den Wäldern, Deep in the Woods
Regisseur: Benoît Jacquot
Drehbuchautor: Benoît Jacquot, Julien Boivent, Marcela Iacub
Produktion & Genre
Produzent(en): Producer: Philippe Carcassonne, Matthieu Tarot, Jens Meurer
Firmen: Ciné-@, Passionfilms, ARTE France Cinéma, Egoli Tossell Film, Auvergne-Rhône-Alpes Cinéma, Albertine Productions
Genre: Drama, Historical Film
Auszeichnungen & Ähnliche
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Schlagwörter
Schlagwörter: torture, hypnotize, bewitchment
Geschichte
In 1865 France, Timothee, a drifter who pretends to be deaf and mute, arrives at a village in southern France. He becomes infatuated with Josephine, the daughter of Dr. Hughes, and seeks hospitality at their house. During dinner, he performs peculiar tricks that evoke strange reactions from Josephine. The next day, when she's alone, Timothee puts her into a hypnotic trance and takes advantage of her. Despite appearing repulsed and frightened by him, Josephine follows Timothee into the woods. He continues to exploit her until he is eventually arrested and put on trial. The film leaves it ambiguous as to why Josephine agreed to follow Timothee.
Zusammenfassung
'Au fond des bois' (2010) is a French drama directed by Benoît Jacquot, set in 1865 France. It explores the unsettling relationship between Timothee, a manipulative drifter with apparent hypnotic powers, and Josephine, the daughter of a local doctor. The film delves into themes of power dynamics, manipulation, and consent, leaving certain aspects ambiguous. Though details are scarce, it's clear that Jacquot aims to provoke thought and unease.