Scene from La mujer es cosa de hombres (1976)

Alternate Names: Maria Luisa San Jose, Maria Luisa San Jose, Marisa San Jose, Marisa San José, Marisa Sanjosé, María Luisa Sanjosé, Marisa San Jose, Marisa Sanjosé, María Luisa Sanjosé, Mª Luisa San Jose, Mª Luisa San José, Mª Luisa Sanjose, Mª Luisa San Jose, Mª Luisa San José, Mª Luisa Sanjose

Physical Characteristics: N/A

First Appearances:

• Place Your Bets, Ladies (1965) as

Most Important Roles:

• Las señoritas de mala compañía (1973) as Charo
• Esclava te doy (1976) as Teresa
• Little Bird (1997) as Tía Beatriz
• Confessions of a Congressman (1978) as Carmen
• Vamos por la parejita (1969) as
• Panthers Eat the Rich (1969) as Vicky
• Jenaro, el de los 14 (1974) as Juliana Seseña 'Juli'
• La gran quiniela (1984) as Puri
• Más fina que las gallinas (1977) as Alicia Ramos
• Los nuevos españoles (1974) as Ana

Career Highlights:

• Las señoritas de mala compañía (1973)
• Esclava te doy (1976)
• Little Bird (1997)
• Confessions of a Congressman (1978)
• Vamos por la parejita (1969)
• Panthers Eat the Rich (1969)
• Jenaro, el de los 14 (1974)
• La gran quiniela (1984)
• Más fina que las gallinas (1977)
• Los nuevos españoles (1974)

"Rain in Spain may have its charm, but Mr. Skin finds himself captivated by small-breasted Latina María Luisa San José. Her name might roll off the tongue like thunder, but her performances are far more enticing. From her nude introduction in 'La Mujer es cosa de hombres' (1976), where she bared her firm assets, to her last hurrah in 'Pajarico' (1997), this raven-haired enchantress has made cinema a tantalizing spectacle. She worked unclad throughout the mid-1970s until 'L'Amante tutta da scoprire' (1981). Then, it took sixteen years for her to bare all again at fifty-one, yet she's merely developed into a vintage delight. Watching her ripe appeal is sure to leave you yearning."