Szene aus Boxing Helena (1993)
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Darstellerinnen in dieser Szene
Details
Alternative Namen: Sheryl Ann Fenn , 雪琳·芬, Шерілін Фенн, شرلین فن
Körperliche Merkmale: N/A
Karriere
Erste Auftritte:
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Vollständige Biografie
Sherilyn Fenn (born Sheryl Ann Fenn) is an American actress and author.[1] She came to attention for her performance as Audrey Horne on the television series Twin Peaks (1990–1991, 2017) for which she was nominated for a Golden Globe Award and an Emmy Award.
She is also known for her roles in Of Mice and Men, Ruby, Boxing Helena and Rude Awakening, and for portraying actress Elizabeth Taylor in Liz: The Elizabeth Taylor Story.
Über den Film: Boxing Helena (1993)
Erscheinungsjahr: 1993
Land: United States
Alternativer Titel: Encaixotando Helena, Mi obsesión por Helena, Temahizontas tin Elena, Dobozba zárt szerelem, Uwieziona Helena, Paixão Selvagem, Helena u kutiji, Helena iz skatljice
Regisseur: Jennifer Lynch
Drehbuchautor: Jennifer Lynch, Philippe Caland
Produktion & Genre
Produzent(en): Producer: Carl Mazzocone, Philippe Caland
Executive Producer: James R. Schaeffer, Larry Sugar
Firmen: Mainline Pictures
Auszeichnungen & Ähnliche
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Ähnliche:
Schlagwörter
Schlagwörter: captivity, car accident, doctor, dreams, kidnapping, obsession, obsessive love, unrequited love, woman director
Geschichte
Dr. 'Joe' Carter (Hutton) is obsessed with Helena Christiansen (Kidman), a woman who once rejected his advances. After she suffers severe injuries in a car accident, Joe takes her to his home and nurses her back to health. However, he refuses to let her leave, hoping to convince her that they are meant for each other. When Helena's friend Erik (Mulroney) starts investigating her disappearance, Joe becomes increasingly paranoid and controlling.
Zusammenfassung
Boxing Helena is a controversial psychological thriller directed by Jennifer Lynch, daughter of film legend David Lynch. The film explores themes of obsession, captivity, and unrequited love through the story of Joe Carter, a surgeon who kidnaps the woman he loves after she's severely injured in an accident. While critics were divided over the film's graphic content and Kidman's performance, it remains notable for its unique perspective on obsessive relationships.