Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene from Nothing Personal (2009)

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Scene Details

Duration: 213 sec.Nudity: yesCreator: unknown
New Filesize: N/ASound: yesOld Filesize: 67 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 640x320Added: 2011-Feb-28

Actresses in this Scene


Portrait of Paz de la Huerta

Paz de la Huerta

Birth Name: Paz de la Huerta

Birth Date: 1984-09-03

Birth Place: New York City, New York, USA

Details

Alternate Names: Paz De La Huerta, María de la Paz Elizabeth Sofía Adriana de la Huerta

Physical Characteristics: N/A

Career

First Appearances:

  • The Object of My Affection (1998) as 13-Year-Old Sally

Most Important Roles:

  • A Walk to Remember (2002) as Tracie
  • The Limits of Control (2009) as Nude
  • Deception (2008) as List Member #1
  • The Tripper (2006) as Jade
  • Enter the Void (2010) as Linda
  • Choke (2008) as Nico
  • The Guitar (2008) as Cookie
  • Fierce People (2006) as Jilly
  • Eagleheart: Paradise Rising (2013) as Tess
  • Nurse 3-D (2013) as Abby Russell

Career Highlights:

  • A Walk to Remember (2002)
  • The Limits of Control (2009)
  • Deception (2008)
  • The Tripper (2006)
  • Enter the Void (2010)
  • Choke (2008)
  • The Guitar (2008)
  • Fierce People (2006)
  • Eagleheart: Paradise Rising (2013)
  • Nurse 3-D (2013)

Full Biography

"Paz de la Huerta, a New York City native, has been pursuing her acting dreams since childhood. After wrapping up roles in 'Riding in Cars with Boys' (2001) and 'Homework' (2003), she transitioned to more adult-oriented projects, notably appearing as Lucy Danziger on HBO's 'Boardwalk Empire' (2010-2011). In this role, Paz didn't shy away from baring all, showcasing her physique in various states of undress. Her first foray into partial nudity came in 2005 with 'Fierce People', followed by more revealing roles in 'Steal Me' and '5up 2down'. By 2008, Paz had bared all in films like 'Deception' and 'The Guitar', including a lesbian scene. This trend continued in the aptly-named film 'Bare' (2015). Paz also offered up her assets in films such as 'Choke' (2008), 'Nothing Personal' (2009), and 'The Editor' (2014). However, it was in the 2009 films 'The Limits of Control' and 'Enter the Void' that Paz truly embraced full frontal nudity. This trend extended to her work on French television series like 'X Femmes' (2008) and the film 'Nurse 3D' (2013). Apart from these notable roles, Paz has also appeared in films like 'The Tripper' (2006), '30 Beats' (2012), and 'Death in the Desert' (2015). Her 2012 Flaunt Magazine photo shoot further emphasized her willingness to embrace her sexuality on screen, showcasing her backside, side breast, and butt cheeks."


About the Movie: Nothing Personal (2009)

Poster for Nothing Personal (2009)

Release Year: 2009

Nation: Ireland, Netherlands

Alternative Title: Nada Pessoal, Nada personal, Nic osobistego, Semmit magamról, Tipota to prosopiko

Director: Urszula Antoniak

Writer: Urszula Antoniak

Production & Genre

Awards & Similar

Awards:

  • 13 wins & 16 nominations

Similar:

  • 30 Days Until I'm Famous (2004)
  • Hush Little Baby (2009)
  • I Will Always Love You Conny (2017)
  • Gandhi (1982)
  • Annaluise & Anton (1999)

Keywords

Keywords: freedom, woman director

Story

The film begins with Anne standing alone in her empty apartment in Holland. She watches from her window as passersby take her discarded belongings and furniture. Her final act of leaving behind her old life is removing a ring from her finger before departing for Ireland. Once there, she chooses to live a solitary, wandering existence, traversing the rugged landscapes of Connemara. During her journey, Anne discovers a house inhabited by a hermit named Martin.

Summary

Directed by Urszula Antoniak in 2009, 'Nothing Personal' is a Dutch-Irish drama that explores themes of solitude and freedom. The story revolves around the titular character, Anne, who leaves behind her life in Holland to wander Ireland's landscapes. The film is notable for its portrayal of a woman director's perspective on these themes.