Szene aus Videodrome (1983)
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Darstellerinnen in dieser Szene
Details
Alternative Namen: Blondie, Debbie Harry, Angela Tremble, Angela Trimble, Blondie, Deborah Harry
Körperliche Merkmale:
Karriere
Erste Auftritte:
Wichtigste Rollen:
Karriere-Highlights:
Auszeichnungen
Auszeichnungen:
Vollständige Biografie
Debbie Harry, born Deborah Ann Harry in 1945, is an American singer, songwriter, and actress. She rose to prominence as the lead vocalist of Blondie, a band renowned for its blend of various genres including punk, pop, and reggae.
Über den Film: Videodrome (1983)
Alternativer Titel: Vidéodrome, Cuerpos invadidos, Experiência Alucinante, Network of Blood, Videodrom, Videodrome - förgängelsens vapen, Videodrome - tuhon ase, Zonekiller
Regisseur: David Cronenberg
Drehbuchautor: David Cronenberg
Produktion & Genre
Produzent(en): Producer: Pierre David, Victor Solnicki, Claude Héroux
Firmen: Guardian Trust Company, Filmplan International, Canadian Film Development Corporation
Auszeichnungen & Ähnliche
Auszeichnungen:
Ähnliche:
Schlagwörter
Schlagwörter: suicide, virtual reality, radio presenter, black market, insanity, paranoia, dystopia, toronto, canada, hallucination, surrealism, sadomasochism, cyberpunk, brainwashing, pittsburgh, pennsylvania, snuff film, pirate broadcast, cautionary, depressed, ridiculous
Geschichte
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Zusammenfassung
Max Renn, president of UHF station Civic-TV, deals in exploitation fare to keep viewers tuning in. Desperate for a fresh hit, he acquires "Videodrome," a graphic, violent spectacle with sexual overtones. His girlfriend Nicki Brand, drawn by its sadism, volunteers as talent but vanishes after filming. Max's unease grows; Masha, a trusted supplier, warns Videodrome may be real death onscreen. Meanwhile, eccentric professor Brian O'Blivion predicts media's dominance over reality, adding menace to Max's quest for Videodrome's producers. As he investigates Nicki's disappearance, Max uncovers unsettling truths about the broadcast, forcing him to confront its dark influence and his own role in perpetuating it.