Szene aus Demonlover (2002)
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Darstellerinnen in dieser Szene
Details
Alternative Namen: Connie Inge-Lise Nielsen, Connie Inge-Lise Nielsen, Connie Nielson, Connie Nielson, Κόνι Ίνγκε-Λις Νίλσεν, کانی نیلسن, コニー ニールセン, 康妮·尼尔森, 코니 닐슨
Körperliche Merkmale:
Karriere
Erste Auftritte:
Wichtigste Rollen:
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Auszeichnungen
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Vollständige Biografie
Connie Inge-Lise Nielsen, born July 3, 1965 in Denmark, is a renowned Danish actress known for her roles in several English-language films such as 'Gladiator', 'The Devil's Advocate', 'Basic', and 'The Ice Harvest'. Her notable character, 'Christine' in 'The Devil's Advocate', was a supporting role. In the film, Nielsen played Kevin Lomax's wife who starts experiencing supernatural disturbances after they move to New York City.
Über den Film: Demonlover (2002)
Alternativer Titel: Sangre de inocentes, Espionagem na Rede, L'amant diabolique, Demonlover.com, Démoni szerető, Демон-любовник
Regisseur: Olivier Assayas
Drehbuchautor: Olivier Assayas
Produktion & Genre
Produzent(en): Producer: Xavier Giannoli
Executive Producer: Claude Davy, Jean Coulon
Firmen: Citizen Films, Elizabeth Films, M6 Films, Vértigo Films
Genre: Drama, Erotic Thriller, Mystery, Thriller
Auszeichnungen & Ähnliche
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Schlagwörter
Schlagwörter: adult animation, hentai, new french extremism
Geschichte
Diane works for a French firm bidding to purchase a Japanese animation outfit specializing in adult animation ('hentai'). She sabotages her supervisor Karen and takes over her position with the help of Karen's assistant Elise, who initially remains loyal to Diane but later becomes disloyal. When an American web media company led by Elaine enters the competition for the rights to the studio, a power struggle ensues involving espionage and violence. The plot thickens when it is discovered that one of the parties controls an internet site broadcasting actual torture.
Zusammenfassung
Demonlover (2002) is a French film directed by Olivier Assayas, set against the backdrop of corporate competition in the adult animation industry. The movie explores themes of ambition, betrayal, and power struggles within the context of new media and globalized commerce. It's considered part of the 'New French Extremism' movement due to its provocative content and challenging narrative structure.