|
|
Scene from Dellamorte Dellamore (1994)
Scene Details
| Duration: 87 sec. | Nudity: yes | Creator: Ribero |
| New Filesize: N/A | Sound: yes | Old Filesize: 8 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 640x384 | Added: 2005-May-01 |
Actresses in this Scene
Anna Falchi
Details
Alternate Names: Anna Kristiina Palomäki
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Anna Falchi was born Anna Kristiina Palomäki on April 22, 1972, in Tampere, Finland, to an Italian father and Finnish mother. She moved to Italy at age six. Starting as a model, she first appeared on TV in a bank commercial directed by Federico Fellini. Her film career began with 'Nel continente nero' (1993). She starred in 'Dellamorte Dellamore' (1994), known internationally as 'Cemetery Man'. Falchi has appeared in numerous films and hosted Italian television specials.
About the Movie: Dellamorte Dellamore (1994)
Release Year: 1994
Nation: N/A
Alternative Title: Demons '95, Of Death and Love, Pelo Amor e Pela Morte, Mi novia es un zombie, O milosci i smierci, O smrti ljubavi, Cemetery Man, Of Death, of Love
Director: Michele Soavi
Writer: Gianni Romoli, Tiziano Sclavi
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Comedy, Horror
Awards & Similar
Awards:
Similar: N/A
Story
Dellamorte Dellamore follows Franco Dellamorte, the guardian of Buffalora's cemetery. In this small Italian town, corpses inexplicably rise from their graves and Dellamorte must destroy them to prevent further disturbance. The movie explores the duality between love and death, a theme that Dellamorte experiences firsthand. He seems indifferent to why this phenomenon occurs but becomes weary of his duties towards the end of the film, expressing his desire to leave Buffalora.
Summary
Dellamorte Dellamore is a 1994 Italian horror-comedy directed by Michele Soavi, based on the 'sclavian philosophy' from Tiziano Sclavi's comics featuring Dylan Dog, the detective of the nightmare. The film centers around the enigmatic duality between love and death, as experienced by its protagonist Franco Dellamorte. Despite being a comedy-horror, it explores themes of existential weariness and isolation.