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Scene from Splav meduze (1980)
Scene Details
| Duration: 248 sec. | Nudity: yes | Creator: supers992 |
| New Filesize: N/A | Sound: yes | Old Filesize: 154 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1280x720 | Added: 2022-Jan-09 |
Actresses in this Scene
Vladislava Milosavljevic
Birth Name: Vladislava Milosavljević
Birth Date: 1955-07-08
Birth Place: Belgrade, Serbia, Yugoslavia
Details
Alternate Names: Vladica Milosavljevic, Vladica Milosavljevikj, Vladica Miloslavljevic, Vladica Milosavljevic, Vladica Milosavljević
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles: N/A
Career Highlights:
Full Biography
Vladislava Milosavljević starred in the 1980 Yugoslav film 'Splav meduze'. She was part of a group led by Serbian futurist/dadaist poet Ljubisa Micic, known as the Zenith movement. The group traversed rural areas of what was then the Kingdom of Serbs, Croats and Slovenes, engaging in avant-garde activities influenced by prominent European artists like Tristan Tzara and Vladimir Mayakovsky.
About the Movie: Splav meduze (1980)
Release Year: 1980
Nation: N/A
Alternative Title: A tutaj utasai, Tratwa meduzy, Medusas flotte, The Medusa Raft, Das Floß der Medusa
Director: Karpo Acimovic-Godina
Writer: Branko Vucicevic
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Drama
Story
In the early 1920s, a group of bohemian artists, led by Serbian futurist/dadaist poet Ljubisa Micic, traverse the rural landscapes of what was then the Kingdom of Serbs, Croats and Slovenes. They establish an avant-garde movement called Zenithism. Throughout their journey, they encounter diverse figures such as Tristan Tzara and Vladimir Mayakovsky, and are accompanied by brave, eccentric women and strongmen like Zampone from Fellini's 'La strada'. As they navigate the muddy roads, they engage in artistic pursuits and exchange ideas with famous contemporaries.
Summary
Splav meduze (1980) is a Yugoslavian drama film directed by Karpo Acimovic-Godina. Set against the backdrop of early 20th-century Balkans, it chronicles the misadventures of a group of artists and bohemians led by Ljubisa Micic. The film explores themes of artistic genius, eccentricity, and the struggles faced by those who dare to push boundaries. Although specifics about plot events are scarce in the provided sources, it is clear that the movie is a celebration of the avant-garde spirit, capturing the essence of Zenithism and its proponents' interactions with notable figures from the art world.