Scene from Mil sexos tiene la noche (1984)

Alternate Names: Alice Príncipe, Alicia Pedreira, Alicia Principe, Alicia Pedreira

Physical Characteristics: N/A

First Appearances:

• Los pornoaficionados (1982) as Sonia

Most Important Roles:

• Golden Temple Amazons (1986) as Bella, Harvey's wife (uncredited)
• The Sexual Story of O (1984) as Odile
• I Love Hitler (1984) as Mujer de Emil
• The Erotic and Wacky Tunnel of Time (1983) as Charo
• Agítese antes de usarla (1983) as
• With Panties in Hand (1982) as Alicia
• Dirty War (1984) as Girl in bar
• How Much for a Spy? (1984) as Carla
• Night Has a Thousand Desires (1984) as
• Sábado, sabadete (1983) as Olga

Career Highlights:

• Golden Temple Amazons (1986)
• The Sexual Story of O (1984)
• I Love Hitler (1984)
• The Erotic and Wacky Tunnel of Time (1983)
• Agítese antes de usarla (1983)
• With Panties in Hand (1982)
• Dirty War (1984)
• How Much for a Spy? (1984)
• Night Has a Thousand Desires (1984)
• Sábado, sabadete (1983)

"With bee-stung lips and large, glowing eyes, Spanish actress Alicia Príncipe possesses subtle features that often go unnoticed by admirers fixated on her nude form. She debuted in Jesús Franco's adaptation of the erotic novel 'The Story of O', titled 'The Sexual Story of O' (1984), playing the lead role with unabashed candor, earning praise from Mr. Skin for her boldness. Franco subsequently cast her in 'Night of 1,000 Sexes' (1984), where Príncipe, alongside Mari Carmen Nieto and Lina Romay, delivered full frontal nudity. She also flaunted her golden body in 'Golden Temple Amazons' (1986), another Franco-directed film. Beyond her explicit roles, Príncipe appeared in non-nude capacities in films such as 'El orgasmo y el éxtasis' (1982), 'Con las bragas en la mano' (1982), 'Los pornoaficionados' (1982), 'Hot Panties' (1983), and many more, including two installments of 'The Story of O'. Her career spanned merely four years but was marked by a remarkable four-year skinsational streak."

Alternate Names: N/A

Physical Characteristics:

• Ethnicity: Latin
• Boobs: Natural
• Bust: 91
• Cup: C
• Bra: 36C
• Waist: 63
• Hip: 96
• Height: 167
• Weight: 58
• Hair Color: Black
• Eye Color: Brown

First Appearances:

• Don't Get Around Much Anymore (1943) as

Most Important Roles:

• Love Laughs at Andy Hardy (1946) as Isobel Gonzales
• Bathing Beauty (1944) as Lina Romay
• Adventure (1945) as Maria
• Week-End at the Waldorf (1945) as Juanita
• The Man Behind The Gun (1953) as Chona Degnon
• The Big Wheel (1949) as Dolores Raymond
• The Lady Takes a Sailor (1949) as Racquel Riviera
• Two Girls and a Sailor (1944) as Lina Romay
• Honeymoon (1947) as Raquel Mendoza
• This Time for Keeps (1947) as

Career Highlights:

• Love Laughs at Andy Hardy (1946)
• Bathing Beauty (1944)
• Adventure (1945)
• Week-End at the Waldorf (1945)
• The Man Behind The Gun (1953)
• The Big Wheel (1949)
• The Lady Takes a Sailor (1949)
• Two Girls and a Sailor (1944)
• Honeymoon (1947)
• This Time for Keeps (1947)

Lina Romay, born Maria Elena Romay on January 16, 1919, was an American actress and singer with a career spanning nearly four decades from 1972 to 2010. She is known for appearing in over 100 films directed by Jesus Franco, including notable works like 'The Bare Breasted Countess' and 'Jack the Ripper'. Romay's screen name was inspired by an actress and jazz artist of the 1940s. Before her film career, she performed with Xavier Cugat's orchestra and appeared in films like 'You Were Never Lovelier' (1942) and 'Bathing Beauty' (1944). She married twice; first to John Lawrence Adams and later to Jay Gould III. Romay passed away on December 17, 2010, at the age of 91.

Alternate Names: Lia Kaplan, Ana Stern, Ann Stern, Carmen Nieto, Mamen Kaplan, Mamie Kaplan, Marina Lamete, María del Carmen Nieto

Physical Characteristics: N/A

Mari Carmen Nieto played 'Irina' in the 1984 film 'Mil sexos tiene la noche'. In the movie, Irina performs a successful telepathy act at a nightclub under Fabián's hypnotic control. However, she suffers from vivid nightmares where she commits crimes, leading her to seek medical help. The doctor discovers that Irina is being used as an instrument by Fabián for his personal revenge through hypnosis.