Schauspielerin: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Poster für Mujeres infieles (2004)
Rank #1778

Mujeres infieles (2004)

Erscheinungsjahr: 2004

Land: Chile

Alternative Title: Unfaithful Women

Regisseur: Rodrigo Ortuzar Lynch

Writer: Juan Jose Hurtado, Marcelo Slavich, Rodrigo Ortuzar Lynch, Walter Slavich

Produktion & Genre

Produzent: Co_Producer: Kike Morandé
Executive_Producer: Juan Carlos Arriagada, Rodrigo Ortuzar Lynch

Firmen: Jazz Films

Genre: Comedy, Comedy Film, Drama

Budget: N/A

Schlüsselwörter

Geschichte

Mujeres infieles (2004) explores the lives of three women, each navigating different aspects of infidelity in their relationships. The story begins with Cecilia Ureta, a renowned news anchor who hosts Chile's highest-rated show. Ironically, despite her public stance on fidelity and reporting a UN survey that 62% of Chilean women have been or are unfaithful, she herself maintains an affair with the network owner. During a live broadcast covering a motel fire, Cecilia's rival colleague exposes their relationship to the nation. This revelation sets off a chain reaction, sparking conversations about infidelity, sexual satisfaction, loneliness, and abandonment, ultimately becoming a topic of national interest.

Zusammenfassung

Directed by Rodrigo Ortúzar Lynch, Mujeres infieles is a Chilean drama-comedy that delves into the complexities of relationships and societal norms surrounding fidelity. The film explores these themes through its central character, Cecilia Ureta, whose public persona as a bastion of moral integrity contrasts starkly with her private life. The story unfolds against the backdrop of Chile's conservative society, using the controversial UN survey results to spark debate about women's experiences with infidelity. Although not explicitly stated in the provided plots, the film is notable for its candid exploration of sexual themes, including explicit scenes and mature content, reflecting a sexually liberated perspective for South American cinema.

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