Darstellerin: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Poster für Love Crimes (1992)

Love Crimes (1992)

Erscheinungsjahr: 1992

Land: United Kingdom, United States

Alternativtitel: Crímenes de amor, Любовни престъпления, Crimes de Amor, Das gnadenlose Auge, Erotika eglimata, Szerelmi bűntények, Sola con l'assassino, Zbrodnie z milosci, Fome de Sedução, Любовные преступления

Regisseur: Lizzie Borden

Autor: Allan Moyle, Laurie Frank

Produktion & Genre

Produzent(en):

Firmen: Miramax, Sovereign Pictures

Genre: Erotic Thriller, Erotica, Romance, Thriller

Auszeichnungen & Ähnliches

Auszeichnungen:

  • 1 nomination

Ähnlich:

  • The Hairdresser's Husband (1990)
  • Angel (2007)
  • Sexy Beast (2000)
  • Death Sentence (2007)
  • Intimacy (2001)

Schlüsselwörter

Handlung

Der folgende Text ist nur auf Englisch verfügbar.

An Atlanta prosecutor named Catherine (Sean Young) becomes obsessed with tracking down a sexual predator who preys on women by posing as a famous fashion photographer. The perpetrator, identified only as Bergin, targets his victims in public places and then exploits their vulnerabilities to manipulate them both sexually and financially. Catherine arranges to meet him in order to gather evidence against him. However, she finds herself drawn into his game of seduction and begins to experience her own suppressed desires. In the process, Catherine must confront her own submissive tendencies while attempting to bring Bergin to justice.

Zusammenfassung

Der folgende Text ist nur auf Englisch verfügbar.

Love Crimes is a neo-noir erotic thriller directed by Lizzie Borden in 1992. Set in Atlanta, the film explores themes of obsession, desire, and manipulation through its central character, Catherine, a tough female district attorney who becomes personally involved in her investigation of Bergin, a sexual predator disguised as a famous photographer. The movie is notable for its exploration of power dynamics and the blurred line between victimization and consensual encounters.

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