Darstellerin: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Poster für Beyond the Valley of the Dolls (1970)

Beyond the Valley of the Dolls (1970)

Erscheinungsjahr: 1970

Land: United States

Alternativtitel: Más allá del valle de las muñecas, De vallei der verdorven zeden, La vallée des débauchés, De Volta ao Vale das Bonecas, Orgissimo, I dødens dal, El valle de los placeres, Nukkelaakson amatsonit, Nukkelaakson tuolla puolen, Hollywood Vixens, La vallée des plaisirs, Pera ap' tin koilada me tis koukles, Lungo la valle delle bambole, Poza dolina lalek, Изнанка долины кукол, Çiplaklar Vadisi, Blumen ohne Duft

Regisseur: Russ Meyer

Autor: Roger Ebert, Russ Meyer

Produktion & Genre

Produzent(en):

Firmen: 20th Century Fox

Genre: Comedy, Drama, Music

Auszeichnungen & Ähnliches

Auszeichnungen: N/A

Ähnlich:

  • Jawbreaker (1999)
  • Paradise, Hawaiian Style (1966)
  • The Ninth Configuration (1980)
  • Quest for Camelot (1998)
  • Pearl Jam: Immagine in Cornice (2007)

Schlüsselwörter

Handlung

Der folgende Text ist nur auf Englisch verfügbar.

Beyond the Valley of the Dolls follows an all-girl rock band consisting of three young women: Casey Anderson, Petronella 'Pet' Danforth, and Casey's sister, Roxanne. They move to Hollywood from their small town in Texas, aiming to achieve success in the music industry. Initially, they struggle but eventually catch a break after performing at a party hosted by wealthy socialite, Z-Man. The band signs with his record label, and their career takes off, leading them down a path of decadence and wickedness.

Zusammenfassung

Der folgende Text ist nur auf Englisch verfügbar.

Directed by Russ Meyer, Beyond the Valley of the Dolls is an exploitation musical drama that follows the rise and fall of an all-girl rock band in Hollywood. The film is known for its over-the-top sexuality, violence, and campy humor, which earned it a reputation as a cult classic. Despite being disowned by Meyer himself due to creative differences with producer Roger Corman, the film remains a notable example of 1970s sexploitation cinema and has gained a dedicated following.

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