Darstellerin: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Poster für Anna Nicole Smith: Exposed (1998)

Anna Nicole Smith: Exposed (1998)

Erscheinungsjahr: 1998

Land: United States

Alternativtitel: N/A

Regisseur: Anna Nicole Smith, Raymond Martino

Autor: Anna Nicole Smith, Raymond Martino

Produktion & Genre

Produzent(en): N/A

Firmen: Fantasy Home Video, PM Entertainment Group

Genre: Documentary, Romance

Auszeichnungen & Ähnliches

Auszeichnungen: N/A

Ähnlich:

  • Playboy Playmates of the Year: The 80's (1989)
  • The Fashion Side of Hollywood (1935)
  • The Adventures of Anais Nin (2015)
  • Pandora Peaks (2004)
  • Victoria's Secret: The Tour '23 (2023)

Schlüsselwörter

Schlüsselwörter: blonde, breast, erotic vignettes, model, playboy

Handlung

Der folgende Text ist nur auf Englisch verfügbar.

Anna Nicole Smith: Exposed

Zusammenfassung

Der folgende Text ist nur auf Englisch verfügbar.

Anna Nicole Smith: Exposed is a documentary-style film that provides an intimate glimpse into the life of its titular subject, Anna Nicole Smith herself. Directed by Anna Nicole Smith and Raymond Martino in 1998, this unique movie offers a fictionalized yet revealing look into a typical day in the life of former Playboy model and grieving widow, Anna Nicole Smith.

The film is structured around a 'normal' day in Anna's life, with her narrating her thoughts and feelings about various aspects of her daily existence. From interacting with her servants (both male and female), cooks, drivers, friends, lawyers, photographers, to her reflections on her bed, bath-tub, and even her camera, Anna offers an unfiltered perspective on the people and events that shape her world.

Despite being a documentary, the film is not strictly factual but rather a series of erotic vignettes, each exploring different aspects of Anna's life. These scenes provide insight into Anna's character, her relationships with others, and her experiences as a high-profile model and widow.

The film does not follow a traditional narrative structure, instead weaving together these various moments to create a mosaic-like portrait of its subject.

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