A Filosofia na Alcova (2017)
Erscheinungsjahr: 2017
Land: Brazil
Alternative Title: Philosophy in the Boudoir
Regisseur: Rodolfo García Vázquez, Ivam Cabral
Writer: Ivam Cabral, Rodolfo García Vázquez, Greta Coutinho, Nina Nóbile
Production Genre
Produzent: executive producer: Ivam Cabral, Rodolfo García Vázquez
producer: Luiza Gottschalk, Daniela Machado
Firmen: Satyros Cinema
Genre: thriller, erotic, fantasy, crime
Budget: N/A
Auszeichnungen & Ähnliche
Auszeichnungen: N/A
Ähnliche:
Schlüsselwörter
Schlüsselwörter: bondage, cross dressing, dildo, ejaculation, erect penis, female full frontal nudity, female nudity, male full frontal nudity, male nudity, male pubic hair, male rear nudity, matricide, object in vagina, orgy, rape, threesome, unsimulated fellatio, unsimulated hand job, unsimulated male masturbation, urination
Geschichte
Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.
Zusammenfassung
Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism...
