24 heures de la vie d'une femme (2002)
Erscheinungsjahr: 2002
Land: France, Germany, United Kingdom
Alternative Title: 24 óra egy asszony életéből, 24 ore nella vita di una donna, 24 godziny z zycia kobiety, 24 Hours in the Life of a Woman
Regisseur: Laurent Bouhnik
Writer: Gilles Taurand, Laurent Bouhnik, Stefan Zweig
Production Genre
Produzent: Producer: Andrew Somper, Ulrich Felsberg, Philippe Roux, Étienne Comar, Chris Chrisafis, Jean Cottin
Firmen: Centre national du cinéma et de l'image animée (CNC), Cinévia Films, Filmförderungsanstalt (FFA)
Genre: Drama, Film Based On Literature
Budget: €11,590,000 (estimated).
Auszeichnungen & Ähnliche
Auszeichnungen:
Ähnliche: N/A
Schlüsselwörter
Schlüsselwörter: based on novel, casino, cote d'azur france, falling in love, female full rear nudity, female nudity, female topless nudity, fling, foreign language adaptation, france, gambler, italian man, male frontal nudity, memory, polish man, remake, resort, sex scene, tennis instructor, widow
Geschichte
The story unfolds in three interconnected time periods: 1913, 1936, and 2001. In present-day 2001, Louis, a seventy-eight-year-old man, returns to his childhood seaside resort where he encounters Olivia, a nineteen-year-old girl in love with a violent cad. Louis shares two stories from the past to help Olivia understand her feelings.
In one tale set in 1936, Louis's mother engages in a passionate affair with an Italian tennis instructor, causing emotional turmoil for young Louis. In another story from 1913, Marie Collins Brown, a slightly older widow, recounts her own fleeting yet intense romance with a Polish gambler during the course of just one day.
The connections between these stories and their relevance to Olivia's situation are not explicitly detailed in the provided sources.
Zusammenfassung
24 heures de la vie d'une femme (2002) is a French drama film directed by Laurent Bouhnik, based on literary works. The movie weaves together narratives set in 1913, 1936, and 2001 to explore themes of love, passion, and their consequences across generations.
While the provided sources offer glimpses into key events and characters, they do not fully elaborate on how these stories intersect or how Olivia's situation ties into the broader narrative. Therefore, a comprehensive summary of the film's context, background, themes, or significance is limited by the available information.
